![]() ![]() For its innovative design, broad tonal palette, distinct position in the pedal market - and for getting a thumbs-up from one of the acoustic guitar’s most adventurous young players - the Smolder Acoustic Overdrive earns our Editors’ Pick Award. A switch on the back engages cool blue “amp jewel” LEDs at the needle-points of the control knobs, which is handy for a quick visual reference when working on a dark stage.įender also included its convenient patent-pending flip-box nine-volt battery compartment on the pedal’s front edge. The Smolder pedal has a couple of bonus features. I turn the pickup compression control up fairly high so I can get plenty of gain without adding a lot of extra noise or being on the brink of feedback all the time, which is what I was dealing with before.” “It allows me to make a melody sing out in such a way that the fundamental sound of each note comes through primarily. “Its overdrive has the kind of headroom and clarity that really works with an acoustic guitar, adding sustain and gain that makes it feel and sound almost like playing an electric,” he says. Performing a holiday gig with two Taylors and the Smolder, I was finally able to get excellent overdriven sounds from a review guitar. Piezo Pickup, High Sensitivity Under-Saddle Pickup Transducer with 2.5mm Jack DIY Replacement Parts for Acoustic Guitar Pickup accessorWas: 12.99 Save 5 with coupon FREE delivery Thu, Jun 1 on 25 of items shipped by Amazon Only 12 left in stock - order soon. The Smolder also sounded fantastic in tests using the magnetic soundhole pickup through the acoustic amp, and that kind of flexibility means this pedal shall remain a part of my gig rig.īilly Strings shared a similar appreciation for the Smolder after adding it to his setup, which includes a Preston Thompson dreadnought with a K&K pickup running through a few pedals into a Fender Deluxe Reverb. Performing a holiday gig with both Taylors and the Smolder, I was finally able to get excellent overdriven sounds from a review guitar, giving me the freedom to switch between instruments based on tunings rather than tones. On the 514ce, I ran a second signal from a Seymour Duncan Active Mag soundhole pickup through a pedalboard and into a Fender Pro Reverb. I auditioned the Smolder with an AER Compact 60/3 TE amp and two Taylor guitars from different eras: a new Builder’s Edition K24ce with Expression 2 electronics and a ’99 514ce with Fishman Prefix electronics.
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